This module uses the banjo's complex history in America to explore how musical instruments embody powerful narratives about race, identity, nationalism, and cultural memory, highlighting how meanings can be contested, erased, and reclaimed over time.
Assignment / Module
Music often tells complicated stories about who we are and who we want to be. Musical instruments themselves can carry powerful meanings—histories of people, places, suffering, celebration, and survival. The banjo is an especially dramatic case study for understanding the intersections of race, identity, nationalism, and cultural memory.
Though many people associate the banjo today with white American culture (especially within genres like bluegrass, folk, or country music), its origins in the enslaved African populations in the Caribbean and are deeply connected to memories of the African continent. This history, however, was deliberately obscured through racist minstrel shows and efforts to “elevate” the instrument away from its Black roots for white audiences. As you’ll see, the banjo’s true history raises challenging questions about authenticity, cultural ownership, and memory.
In this module, you’ll use the history of the banjo to examine how music can embody deeply charged questions of race and identity. The readings and listening provide important historical context for how we think about what American music is—and whose stories it tells.
Our primary material comes from musician and scholar Rhiannon Giddens. In her keynote speech at a past bluegrass conference, she argues passionately about reclaiming the banjo’s African American roots, reminding us that music—and musical instruments—are never neutral. As you read, reflect on:
Rhiannon Giddens’ Keynote Address at IBMA Conference: “Community and Connection”
In this podcast, Afropop Worldwide explores the banjo’s journey from Africa to America, highlighting multiple musical examples and perspectives. Listen closely, considering how music itself helps preserve or reshape historical memory. It has a similar story, but with further context and the opportunity to include audio examples.
Afropop Worldwide: “The Black History of the Banjo”
Throughout this module, you’ve explored the banjo’s complex history and how musical instruments can carry contested meanings related to race, identity, nationalism, authenticity, and memory. For this assignment, you’ll apply these ideas to an instrument or musical tradition of your choosing.
Choose a musical instrument or a specific musical tradition. Some good examples are the guitar, Hawaiian ukulele, Celtic harp, hip-hop turntables, Shona mbira, Central American marimba, and Mande balafon. Research this (cite your sources) and reflect on how the instrument or tradition is connected to ideas of race, cultural identity, authenticity, nationalism, or memory. Write a 300-word reflection addressing some or all of the following prompts:
In your response, explicitly connect your thoughts to of the module’s required materials to anchor your reflection in the module’s key concepts.
When responding to classmates, reflect thoughtfully on their chosen instruments or traditions. Do their insights resonate with your own experiences or reveal new perspectives? Engage deeply and respectfully, considering how your understanding of musical meanings expands through shared conversation.
Be sure to clearly reference module readings and materials to demonstrate thoughtful engagement. Review the discussion grading rubric for details, and reach out with questions if you need clarification!
Christopher Witulski is the author of The Gnawa Lions (2018) and Focus: Music and Religion of Morocco (2019), two books focusing on changes in sacred performance practices in contemporary Morocco. He is also an active performer of Arabic and American old time music on violin, ‘ud, and banjo.
